Somewhere between editing video and designing full-blown motion graphics, there are countless jobs that require making things move. It may be making titles, handling transitions, moving around video and imagery in two-dimensional and three-dimensional scenes, masking, compositing, or generally arranging assets for purposes of utility or eye candy.
From its first release, Apple’s Motion has aimed squarely at this type of activity. It is neither unique in that regard, nor does it do more than other rival tools; instead, it promises to perform these tasks more quickly and with less effort. In its latest release, coming alongside Final Cut Pro X (FCP X), it sports a new look, expanded keying and parameter control, and a new under-the-hood architecture for greater performance. It also boasts new capabilities as a Final Cut companion. And then, there’s the price.
So, is Motion 5 a must-have add-on for the new Final Cut, or even as a complement to rival editors or previous versions?
To read the rest of the MacWorld.com article, click here.
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